Feltlife

Bayaaz

Keep the line that stopped you.

bayāz — a blank book a reader fills by hand, over years, with whatever was worth keeping. This is one for the web.

Add to Chrome See how it works

Free  ·  No account  ·  Works offline

A web page with a passage highlighted. The right-click menu shows a “Keep in Bayaaz” item, and the Bayaaz side panel holds the excerpt on a parchment card.
Highlight, right-click, keep — the passage lands in the side panel with its source

Markdown export

It comes out the way it went in.

Headings stay headings. Lists stay lists. Code keeps its fences and its language. Links keep their targets, and every excerpt carries the URL it came from and the date you kept it — so a file you open in two years still tells you where you found it.

Drops straight into Obsidian, Bear, Logseq, or a plain folder of .md files.

The Bayaaz panel beside the exported Markdown file, showing headings, bulleted lists, a fenced CSS code block and a source link preserved exactly.

The Imprint Studio

Some passages deserve better than a text file.

Set an excerpt on paper and press the seal. Show the drop cap or hide it; keep the source line, the date, the subhead, or strip them all away. Save the card as an image, print it, give it to someone.

The Imprint Studio, laid out as an open book: a finished card on the left page, twelve paper styles to choose from on the right.

Twelve papers

Each one is a real one.

Guilloché from banknote engraving. Ex Libris from armorial bookplates. Tazhīb from illuminated Qur'ans. Cuneiform pressed into Mesopotamian clay, papyrus cut from Nile reed, ryōshi from Heian Japan, a rubbing lifted off a carved stele. The ornament, the proportions and the way the type sits follow the original.

One passage from A Room of One's Own set on twelve different papers, each labelled: Guilloché, Ex Libris, Clipping, Letterpress, Cuneiform, Tazhib, Wax Seal, Papyrus, Palm-Leaf, Illuminated, Ryōshi and Stone Rubbing.

Scripts

Nastaʿlīq is not Latin with different letters.

Urdu and Arabic run right to left and need their own line height to breathe. Chinese and Japanese want their own punctuation and their own margins. Devanagari hangs from a line; Hangul sits on one. Bayaaz sets each script by its own rules rather than forcing all of them through the same one.

Keepsake cards holding passages in English, Traditional Chinese, Japanese, Korean, Hindi, Arabic and Urdu, each typeset according to its own script's conventions.

Offline by construction

Nothing you keep ever leaves your device.

There is no account and no sync, because there is no server. Bayaaz saves excerpts to your browser's own storage and reads nothing else. It has no analytics. It makes no network requests at all. When you export, your browser writes the file to your disk and that is the end of it.

This isn't a promise that could quietly change next quarter — it's how the extension is built.

Read the privacy policy

Start a bayāz of your own.

Free, and it stays free.

Add to Chrome

The Studio

Feltlife

Feltlife Ltd is a one-person software studio. We make small, careful tools for people who read and write for a living, and we publish them ourselves.

Bayaaz is the first, and it is free. A paid Pro tier is planned for late 2026, sold through Paddle. More tools for the browser and the desktop will follow. The studio also takes on commissioned writing and editorial work.

Registered in England and Wales. Worked on remotely, from wherever the reading is good.

Contact

Say hello

Questions, bugs, and requests for a thirteenth paper all go to the same place — hello@feltlife.art. A real person reads it.